LIFE’s fourth issue on December 14, 1936 is filled with pictures from the U.S. and England. An Eastman Kodak pilot in Rochester, N.Y., gently lands his single engine plane in a backyard apple tree after the propeller fell off, shinnies down the tree, and goes home. Early LIFE issues are filled with similar photos that are soon eschewed for feature articles accompanied by at least a modicum of analysis.
The Archbishop of Canterbury is on this week’s cover because an American is making his job miserable. Wallis Simpson (Mrs. Ernest A. Simpson) is having an affair with Edward VIII and censorship of their relationship has just been lifted in England. Political and church leaders are scrambling to find a solution since remarriage after divorce is opposed by the Church of England and the people would not tolerate her as queen. Further complicating this matter is that the king is ex officio Supreme Governor of the Church of England, and the king reminds the archbishop that he is the archbishop’s boss. Edward proposes a morganic marriage in which he will remain king but Wallis will not become queen, and any children they might have will not inherit the throne. Although there was some precidence for this, the British Cabinet rejects it. As this issue of LIFE was going to press the King abdicates his throne to his brother on December 10, 1936 to marry the woman he loves.
Mrs. Simpson is faced with many enemies among the king’s ministers and family, and she comes with lots of “baggage.” The dowager Queen Mary believes that Mrs. Simpson has some sort of sexual control over Edward’s undefined sexual dysfunction through practices she learned in a Chinese brothel in the early 1920′s as the wife of a young U.S. Navy officer. What is very apparent to those close to the couple is some sort of sadomasochistic relationship as Edward basks in the contempt and bullying she showers on him. And police detectives report that she is also involved with a married Ford salesman and the Duke of Leinster. Most explosive, the FBI reports later that in 1936 she was having an affair with Germany’s Ambassador to Britain, Joachim von Ribbentrop, and both she and Edward are strong Germanophiles. After 1936 Ribbentrop sent her 17 carnations every day for several years.
Surrealism receives feature story treatment and like all modern art is met with cheers and jeers. The art depicts ordinary objects in arrangements that seem all mixed up. Freud’s work with free association, dream analysis and the unconscious to free one’s imagination helps to give birth to surrealism. Salvador Dali is the best known surrealist as he combines elements in the same picture that are not normally found together with startling effect. Several years later, in 1945, Gregory Peck and Ingrid Bergman starred in the surrealistic, psychological mystery thriller film, “Spellbound,” by Alfred Hitchcock. Dali served as advisor. He conceived scenes of mental delusion that have to be untangled to cure Peck’s character of his guilt complexes. “Spellbound” receives several Academy nominations and awards. The 1930′s is considered the Golden Age of Surrealism and after WWII it gradually morphed into other movements. Surrealism remains popular with museum patrons today.
























